
George Clinton was selected to produce the next Red Hot Chili Peppers album, Freaky Styley. The album was recorded in Detroit's famed R&B and funky United Sound Systems studios on the edge of Wayne State University's campus. Clinton combined various elements of punk and funk into the band's repertoire,[14] allowing their music to incorporate a variety of distinct styles. However, though the band had a much better relationship with Clinton than with Gill,[15] Freaky Styley, released on August 16, 1985, also achieved little success, failing to make an impression on any chart. The subsequent tour was also considered unproductive by the band.
Cliff Martinez was dismissed from the group in the summer of 1986, with Kiedis saying that he sensed that Martinez wished to leave. Jack Irons, out of work and finally separated from other commitments, rejoined the group, to Kiedis, Flea, and Slovak's great surprise. The Chili Peppers attempted to hire Rick Rubin to produce their third album, but he turned the offer down. The band eventually hired Michael Beinhorn, who was the band's last choice.[17] Songs began to form quickly, and the album's shape came into view, blending the same funk feel and rhythms as Freaky Styley, but also taking a harder, more immediate approach to punk rock and funk metal.[18] Reuniting all four original members renewed their creativity, enlivening the recording process.
On September 29, 1987, The Uplift Mofo Party Plan was released, becoming the first Red Hot Chili Peppers album to appear on any chart. Although it peaked at only #148 on the Billboard Hot 200,[20] this was a significant success compared to the Chili Peppers' first two albums.
During this period, however, Kiedis and Slovak had both developed serious drug addictions,[21] often abandoning the band, each other, and their significant others for days on end. Slovak's addiction led to his death on June 25, 1988, not long after the conclusion of the Uplift tour.[22] Kiedis fled the city and did not attend Slovak's funeral, considering the situation to be surreal and dreamlike.[23] Jack Irons subsequently left the group, saying that he did not want to be part of a group where his friends were dying.


